“Yours very truly,

“G. LESTRADE

“Hum! The investigation really was a very simple one,” remarked Holmes, “but I don’t think it struck him in that light when he first called us in. However, let us see what Jim Browner has to say for himself. This is his statement as made before Inspector Montgomery at the Shadwell Police Station, and it has the advantage of being verbatim.”

Have I anything to say? Yes, I have a deal to say. I have to make a clean breast of it all. You can hang me, or you can leave me alone. I don’t care a plug which you do. I tell you I’ve not shut an eye in sleep since I did it, and I don’t believe I ever will again until I get past all waking. Sometimes it’s his face, but most generally it’s hers. I’m never without one or the other before me. He looks frowning and black-like, but she has a kind o’ surprise upon her face. Ay, the white lamb, she might well be surprised when she read death on a face that had seldom looked anything but love upon her before.

But it was Sarah’s fault, and may the curse of a broken man put a blight on her and set the blood rotting in her veins! It’s not that I want to clear myself. I know that I went back to drink, like the beast that I was. But she would have forgiven me; she would have stuck as close to me as a rope to a block block if that woman had never darkened our door. For Sarah Cushing loved me — that’s the root of the business — she loved me until all her love turned to poisonous hate when she knew that I thought more of my wife’s footmark in the mud than I did of her whole body and soul.

There were three sisters altogether. The old one was just a good woman, the second was a devil, and the third was an angel. Sarah was thirty-three, and Mary was twenty-nine when I married. We were just as happy as the day was long when we set up house together, and in all Liverpool there was no better woman than my Mary. And then we asked Sarah up for a week, and the week grew into a month, and one thing led to another, until she was just one of ourselves.

I was blue ribbon at that time, and we were putting a little money by, and all was as bright as a new dollar. My God, whoever would have thought that it could have come to this? Whoever would have dreamed it?

I used to be home for the week-ends very often, and sometimes if the ship were held back for cargo I would have a whole week at a time, and in this way I saw a deal of my sister-in-law, Sarah. She was a fine tall woman, black and quick and fierce, with a proud way of carrying her head, and a glint from her eye like a spark from a flint. But when little Mary was there I had never a thought of her, and that I swear as I hope for God’s mercy.

It had seemed to me sometimes that she liked to be alone with me, or to coax me out for a walk with her, but I had never thought anything of that. But one evening my eyes were opened. I had come up from the ship and found my wife out, but Sarah at home. “Where’s Mary?” I asked. “Oh, she has gone to pay some accounts.” I was impatient and paced up and down the room. “Can’t you be happy for five minutes without Mary, Jim?” says she. “It’s a bad compliment to me that you can’t be contented with my society for so short a time.” “That’s all right, my lass,” said I, putting out my hand towards her in a kindly way, but she had it in both hers in an instant, and they burned as if they were in a fever. I looked into her eyes and I read it all there. There was no need for her to speak, nor for me either. I frowned and drew my hand away. Then she stood by my side in silence for a bit, and then put up her hand and patted me on the shoulder. “Steady old Jim!” said she, and with a kind o’ mocking laugh, she ran out of the room.

The miners’ cottages, blackened, stood flush on the pavement, with that intimacy and smallness of colliers’ dwellings over a hundred years old. They lined all the way. The road had become a street, and as you sank, you forgot instantly the open, rolling country where the castles and big houses still dominated, but like ghosts. Now you were just above the tangle of naked railway–lines, and foundries and other ‘works’ rose about you, so big you were only aware of walls. And iron clanked with a huge reverberating clank, and huge lorries shook the earth, and whistles screamed.

Yet again, once you had got right down and into the twisted and crooked heart of the town, behind the church, you were in the world of two centuries ago, in the crooked streets where the Chatterley Arms stood, and the old pharmacy, streets which used to lead Out to the wild open world of the castles and stately couchant houses.

But at the corner a policeman held up his hand as three lorries loaded with iron rolled past, shaking the poor old church. And not till the lorries were past could he salute her ladyship.

So it was. Upon the old crooked burgess streets hordes of oldish blackened miners’ dwellings crowded, lining the roads out. And immediately after these came the newer, pinker rows of rather larger houses, plastering the valley: the homes of more modern workmen. And beyond that again, in the wide rolling regions of the castles, smoke waved against steam, and patch after patch of raw reddish brick showed the newer mining settlements, sometimes in the hollows, sometimes gruesomely ugly along the sky–line of the slopes. And between, in between, were the tattered remnants of the old coaching and cottage England, even the England of Robin Hood, where the miners prowled with the dismalness of suppressed sporting instincts, when they were not at work.

England, my England! But which is MY England? The stately homes of England make good photographs, and create the illusion of a connexion with the Elizabethans. The handsome old halls are there, from the days of Good Queen Anne and Tom Jones. But smuts fall and blacken on the drab stucco, that has long ceased to be golden. And one by one, like the stately homes, they were abandoned. Now they are being pulled down. As for the cottages of England—there they are—great plasterings of brick dwellings on the hopeless countryside.

‘Now they are pulling down the stately homes, the Georgian halls are going. Fritchley, a perfect old Georgian mansion, was even now, as Connie passed in the car, being demolished. It was in perfect repair: till the war the Weatherleys had lived in style there. But now it was too big, too expensive, and the country had become too uncongenial. The gentry were departing to pleasanter places, where they could spend their money without having to see how it was made.’

This is history. One England blots out another. The mines had made the halls wealthy. Now they were blotting them out, as they had already blotted out the cottages. The industrial England blots out the agricultural England. One meaning blots out another. The new England blots out the old England. And the continuity is not Organic, but mechanical.